Overlap of agent roles in early 20th century Belgium: A lucrative way of spending time

    Résultats de recherche: Contribution à un journal/une revueArticleRevue par des pairs

    Résumé

    This article aims to provide an overview of the intricate overlap of agent roles that characterized the production process of a popular bilingual work — Le chanteur de rues bruxellois/The Brusselsche straatzanger [The Brussels Street Singer] — which circulated in the Belgian capital between 1897 and 1899. By reassembling the micro-networks around the production process of The Brussels Street Singer, this study shows how the interaction and interference of different actors and agent roles led to the creation of a fundamentally hybrid work, one that allows for a better understanding of the Belgian literary configuration at the turn of the twentieth century.
    langue originaleAnglais
    Pages (de - à)361-381
    Nombre de pages21
    journalTranslation and Interpreting Studies
    Volume11
    Numéro de publication3
    Etat de la publicationPublié - 2016

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