From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons

Sacha Bernard; Fanny Barnabé

doi:10.1515/9783839471739-015

From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons

Résultats de recherche: Contribution dans un livre/un catalogue/un rapport/dans les actes d'une conférence › Chapitre (revu par des pairs) › Revue par des pairs

Résumé

This paper explores how speedrunners conceive of performance, negotiate their relationship with the audience, and articulate competitive and mediation objectives within theframework of the spectacle of live-streaming speedrun marathons. Based on seventeen semi-structured interviews with practitioners performing various roles in the French charity event SpeeDons2022 (speedrunners,commentators,entertainers,reviewers), this research will show how they must navigate between competing representations of the practice and contrasting systems of norms.

langue originale	Anglais
titre	Live Performance and Video Games
Sous-titre	Inspirations, Appropriations and Mutual Transfers
rédacteurs en chef	Réjane Dreifuss, Simon Hagemann, Izabella Pluta
Lieu de publication	Bielefeld
Editeur	transcript Verlag
Pages	195-215
ISBN (imprimé)	9783839471739
Les DOIs	https://doi.org/10.1515/9783839471739-015
Etat de la publication	Publié - 2024

mots-clés

speedrun
videogames
Twitch
streaming
spectacle
performance
performance studies
game studies
sciences du jeu

Accès au document

10.1515/9783839471739-015

Contient cette citation

Bernard, S., & Barnabé, F. (2024). From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons. Dans R. Dreifuss, S. Hagemann, & I. Pluta (eds.), Live Performance and Video Games: Inspirations, Appropriations and Mutual Transfers (p. 195-215). transcript Verlag. https://doi.org/10.1515/9783839471739-015

Bernard, Sacha ; Barnabé, Fanny. / From Home to Stage : How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons. Live Performance and Video Games: Inspirations, Appropriations and Mutual Transfers. Editeur / Réjane Dreifuss ; Simon Hagemann ; Izabella Pluta. Bielefeld : transcript Verlag, 2024. p. 195-215

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Bernard, S & Barnabé, F 2024, From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons. Dans R Dreifuss, S Hagemann & I Pluta (eds), Live Performance and Video Games: Inspirations, Appropriations and Mutual Transfers. transcript Verlag, Bielefeld, p. 195-215. https://doi.org/10.1515/9783839471739-015

From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons. / Bernard, Sacha; Barnabé, Fanny.
Live Performance and Video Games: Inspirations, Appropriations and Mutual Transfers. Ed. / Réjane Dreifuss; Simon Hagemann; Izabella Pluta. Bielefeld: transcript Verlag, 2024. p. 195-215.

Résultats de recherche: Contribution dans un livre/un catalogue/un rapport/dans les actes d'une conférence › Chapitre (revu par des pairs) › Revue par des pairs

TY - CHAP

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T2 - How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons

AU - Bernard, Sacha

AU - Barnabé, Fanny

PY - 2024

Y1 - 2024

N2 - This paper explores how speedrunners conceive of performance, negotiate their relationship with the audience, and articulate competitive and mediation objectives within the framework of the spectacle of live-streaming speedrun marathons. Based on seventeen semi-structured interviews with practitioners performing various roles in the French charity event SpeeDons 2022 (speedrunners, commentators, entertainers, reviewers), this research will show how they must navigate between competing representations of the practice and contrasting systems of norms.

AB - This paper explores how speedrunners conceive of performance, negotiate their relationship with the audience, and articulate competitive and mediation objectives within the framework of the spectacle of live-streaming speedrun marathons. Based on seventeen semi-structured interviews with practitioners performing various roles in the French charity event SpeeDons 2022 (speedrunners, commentators, entertainers, reviewers), this research will show how they must navigate between competing representations of the practice and contrasting systems of norms.

KW - speedrun

KW - videogames

KW - Twitch

KW - streaming

KW - spectacle

KW - performance

KW - performance studies

KW - game studies

KW - sciences du jeu

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DO - 10.1515/9783839471739-015

M3 - Chapter (peer-reviewed)

SN - 9783839471739

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A2 - Pluta, Izabella

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ER -

Bernard S, Barnabé F. From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons. Dans Dreifuss R, Hagemann S, Pluta I, rédacteurs en chef, Live Performance and Video Games: Inspirations, Appropriations and Mutual Transfers. Bielefeld: transcript Verlag. 2024. p. 195-215 doi: 10.1515/9783839471739-015

From Home to Stage: How Speedrunners Negotiate Performance, Relation to the Audience, and Spectacle in Live-Streaming Speedrun Marathons

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