Clearer contours: The stylization of free indirect speech in nineteenth century fiction

Résultats de recherche: Contribution dans un livre/un catalogue/un rapport/dans les actes d'une conférenceChapitre (revu par des pairs)

Résumé

This chapter focuses on free indirect speech in nineteenth-century novels, where providing varied forms of access to characters (their speech, their motivations, their minds more generally) is an overriding concern in employing free indirect speech. Against the background of a broadly constructional model of present-day free indirect speech, nineteenth-century novelistic examples are analysed to show a variety of ways in which writers gradually “free up” indirect speech, using means like punctuation and quotation marks, and eventually clausal structures, some of which look decidedly out-of-date from the present perspective. Alongside free indirect forms, early forms of a more narrator-oriented counterpart, distancing indirect speech, are also discussed, as providing a subtly different mode of access to characters’ speech.
langue originaleAnglais
titreSpeech Representation in the History of English
rédacteurs en chefPeter J. Grund, Terry Walker
Lieu de publicationOxford
EditeurOxford University Press
étatAccepté/sous presse - 2019

Empreinte digitale

Free Indirect Speech
Fiction
Stylization
Indirect Speech
Novel
Quotation Marks
Narrator
Punctuation Marks
Distancing
Writer

Citer ceci

Vandelanotte, L. (Accepté/en presse). Clearer contours: The stylization of free indirect speech in nineteenth century fiction. Dans P. J. Grund, & T. Walker (eds.), Speech Representation in the History of English Oxford: Oxford University Press.
Vandelanotte, Lieven. / Clearer contours : The stylization of free indirect speech in nineteenth century fiction. Speech Representation in the History of English. Editeur / Peter J. Grund ; Terry Walker. Oxford : Oxford University Press, 2019.
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abstract = "This chapter focuses on free indirect speech in nineteenth-century novels, where providing varied forms of access to characters (their speech, their motivations, their minds more generally) is an overriding concern in employing free indirect speech. Against the background of a broadly constructional model of present-day free indirect speech, nineteenth-century novelistic examples are analysed to show a variety of ways in which writers gradually “free up” indirect speech, using means like punctuation and quotation marks, and eventually clausal structures, some of which look decidedly out-of-date from the present perspective. Alongside free indirect forms, early forms of a more narrator-oriented counterpart, distancing indirect speech, are also discussed, as providing a subtly different mode of access to characters’ speech.",
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Vandelanotte, L 2019, Clearer contours: The stylization of free indirect speech in nineteenth century fiction. Dans PJ Grund & T Walker (eds), Speech Representation in the History of English. Oxford University Press, Oxford.

Clearer contours : The stylization of free indirect speech in nineteenth century fiction. / Vandelanotte, Lieven.

Speech Representation in the History of English. Ed. / Peter J. Grund; Terry Walker. Oxford : Oxford University Press, 2019.

Résultats de recherche: Contribution dans un livre/un catalogue/un rapport/dans les actes d'une conférenceChapitre (revu par des pairs)

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Vandelanotte L. Clearer contours: The stylization of free indirect speech in nineteenth century fiction. Dans Grund PJ, Walker T, rédacteurs en chef, Speech Representation in the History of English. Oxford: Oxford University Press. 2019