Depersonalisierung des Schauspielers: Zentrales Movens eines plurimedialen Theaters in Moderne und Avantgarden

Translated title of the contribution: Depersonnalization Of The Actor: Driving Force Of The Plurimedial Theatre In Modernism And Avant-gardes

Research output: Contribution in Book/Catalog/Report/Conference proceedingChapter

Translated title of the contributionDepersonnalization Of The Actor: Driving Force Of The Plurimedial Theatre In Modernism And Avant-gardes
Original languageGerman
Title of host publicationPlurimedialität
Subtitle of host publicationTheaterformen der Moderne und der Avantgarden in Europa
Place of PublicationParis
PublisherKlincksieck
Pages875-890
Number of pages16
ISBN (Print)978-2-252-03808-6
Publication statusPublished - 2011
EventCongrès international de l'Association Internationale de Littérature Comparée (AILC/ICLA) - Université Sorbonne, Paris, France
Duration: 19 Jul 201324 Jul 2013

Symposium

SymposiumCongrès international de l'Association Internationale de Littérature Comparée (AILC/ICLA)
CountryFrance
CityParis
Period19/07/1324/07/13

Keywords

  • Bauhaus
  • semiosis
  • hybridity
  • Edward Gordon Craig
  • Oscar Schlemmer
  • Über-Marionette
  • Kurt Schwerdtfeger
  • Lothar Schreyer
  • body
  • theatre
  • Oskar Kokoschka
  • plurimediality
  • Roman Clemens
  • futurism
  • Maurice Maeterlinck
  • modernism
  • Fortunato Depero
  • Hirschfeld-Mack
  • kinesis
  • Hugo Ball
  • avant-gardes
  • actor
  • Alfred Jarry
  • expressionism
  • Moholy-Nagy
  • media
  • dadaism
  • depersonalization
  • marionette
  • retheatralization
  • aisthesis
  • abstraction
  • Enrico Prampolini

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